Posts Tagged ‘the plastics

13
Mar
13

Album Review: Beast – Smoke, Swig, Swear

399565_255570204554672_322631886_nThe Down Lizzo:

On a nameless, murky night at Carfax In Joburg I stood utterly transfixed watching Inge Beckmann strut like Marla Singer on acid onstage with the other members of Lark.

It was like she was conjuring the elements, whipping them up into a maelstrom of human limbs thrashing in syncopated unison. It was a wonder to behold.

After she’d finished performing I ran into her in the crowd and drunkenly confessed that she was the sexiest woman I’d ever seen play live. So when I heard she’d formed Beast with the legendary Louis Nel and Rian Zitsmann from Taxi Violence and Sasha Righini from The Plastics, I had to get my hands on their album.

 

 

It wasn’t easy. As badass as the name “Beast” is, there are at least another two bands that share the same name (one being a Korean boy band. Siff). All I was able to find was the video for “Fill The Hole” a track in which Beckman’s singing takes on an almost cat-like wail that had me wondering whether she’d taken things a little far with her new band.

Then via a lucky coincidence I tracked Beast down on Twitter and downloaded their full debut Smoke Swig Swear and, one listen in, I was nodding my head, utterly transfixed and grinning from ear to ear.

 

Sick Tracks:

Jesus, where to begin? The eight tracks on Smoke Swig Swear are packed with a ton of thumping, seething, meaty hooks and “fuck yeah!” moments that tease like a stripper and kick like a mule.

It’s not often I lump this kind of praise on an album, but I’d almost say that every track on Smoke Swig Swear will melt your fucking face off.

First off, this is a band of only bass guitars which Nel and Zitsmann wield like twin sledgehammers, lending the album this deliciously dark tone throughout that crawls under your skin and makes a home for itself.

Add Righini’s dextrous, awe-inspiring work behind the kit you have a band that is basically ALL rhythm section. These guys play so tight you’d need a crowbar to separate their beats and riffs from one another. It’s filthy, mutant blues laced with everything that was cool about rock music in the 90s.

 

 

The album opens with “Fill The Hole”, the album’s most abrasive track by far. It’s a baptism by fire, it’s the band dialing shit up to 11, breaking you in hard and fast as Beckmann wails “Draw a hand / Draw the dead / Draw a heart / Draw a head / Lift the hand / Raise the dead / Eat her heart / Roll her head”.

“Airport Deport Abort” is sheer songwriting genius. With a bassline reminiscent of Bjork’s seminal “Army Of Me”, this track lurches with thinly disguised malice – it’s complex, expertly arranged and custom built to prove beyond doubt that this band is not here to fuck around.

“Walls” starts out pensive and quickly builds to a frenzied climax as Beckmann sings “I’m in the well / I’m in the black garden / Rolling down a hill / Pulling gunk out of your mouth again”.

 

 

I could go on – I could wax lyrical about the soaring chorous of “The Grape”, the beautiful slow-build of “Man In Between”, the undeniable, bluesy rock ‘n roll badassery of “Smoke Swig Swear”, but this review would run on for days.

And then, after everything that is Smoke Swig Swear, the sheer agony and ecstasy of this undeniably powerful album, the band drops “Hand Of God” that lands with atom-bomb force as Beckmann sings “And all the idols will topple over / And the fair maidens will be reformed / And all the men will know their worth / When the earth implodes”.

Should You Give A Shit?

Fuck me, have you been reading this review?!?!

Get this album. Stab it directly into your heart like an adrenaline-filled syringe and sit tight as shit gets interesting.

Then, when you’re done falling sickly in love with this album, go out and watch them play live. Get the fuck off the 5FM bandwagon and wonder off the beaten path for a change.

Get their album. Unleash the Beast. Thank me later Winking smile

Here’s “The Grape” to give you guys a taste:

 

 

Final Verdict: 9/10

-ST

23
Nov
12

The Best Music Videos From The MK Music Video Project

ml_mvp_logoFive months ago, MK launched the MK Music Video Project whereby local bands were invited to team up with SA production companies and submit a creative pitch to MK for a music video.

From there, MK chose the 12 best pitches and commissioned those videos to be produced, resulting in some of the videos I’m about to show you.

If you want to watch all 12, check them out here. Otherwise I’m posting my top five right here, right now. I’ve chosen these videos according to two broad criteria – not only do the videos have to be sick, but the songs must be rad as well.

Let’s start with my number 5. Here’s aKing with “Jezebel”.

 

 

I really, really dig that song. It’s got a bit of a Thin Lizzy vibe going and from a songwriting perspective it’s really complex, a lot of moving parts all fitted perfectly together.

The video itself was well shot, but when you boil it down to it’s essence, it’s just the band jamming in a room which we’ve all seen at least a couple hundred times before and is the reason why this isn’t higher on my list.

The next vid from Shortstraw however tells an entire flippin story with schweet underwater shots and everything!

 

 

Great track as well, the way they match the pace of the track with the video is pretty much flawless. It’s a lot harder to get that shit right than it looks and that last shot is powerful as a punch right to the gut.

Moving on we have the Gazelle track “Val Van Die Ryk” which I must be honest I chose 40% because the video is cool and 60% because the track itself is pretty goddamn sick.

 

 

Classic! I’d love to see them do that song live, I reckon it would definitely get the crowd jumping. Great cameo from ol’ Francois as well.

This next track and video are both pretty fucking phenomenal. It’s P.H. Fat with “Business Business Crash”.

 

 

We makin’ love bitches! Hahahahaha! Too awesome. That one was directed, produced, flippin ART DIRECTED even by my man @thefilmo.

Big up to him and the P.H. Fat crew, I thought that video was incredibly well-shot – the editing is fucking tight as a drum and the whole enchilada, the video and the song itself, are both fucking cool without trying hard.

Which brings us to number ONE on my list. You might have heard this one before…

 

 

You guys should have been there in the cinema to see this one on the big screen, people were loving it, great concept, awesome track and an ending that packs a helluva punch.

So all in all, I was really impressed at the standard of videos we watched last night. SA has a shiteload of artistic and musical talent in this country, such a pity there isn’t the proper infrastructure to support and develop that talent but it’s pretty plain to see we’ve come a long way.

At the risk of looking like a total douche though, there’s one last video I want to share with you guys.

It’ isn’t South African but I honestly think we aren’t far off from conceptualising and producing music videos of this calibre.

WARNING: Keep a box of tissues handy. Not that I needed any, but I know how sensitive you guys are, so yeah, I just don’t want you breaking down in front of your co-workers and stuff…

It’s Kodaline with “All I Want”.

 

 

Have a killer weekend party people.

Here’s to finding that someone if you haven’t already Winking smile

-ST

06
Mar
12

Slicky-T Hits Up The 5Gum Experience, Has Face Melted Off

5GumThere are going to be a couple of these 5Gum posts sprouting up all over the interwebs and rightly so because the 5Gum Experience on Saturday was a textbook example of how to throw a KILLER party.

I only got back from Thailand last week and have a lot of shit occupying my soupy Tiger-brain at the moment, so I’d all but forgotten about the gig until Saturday morning.

I love surprises. Always have, always will. So I was totally fine with the venue for the gig being a big secret but holy shit, NOTHING could have prepared me for what the legends at 5Gum had organised for us.

But let’s start from the top shall we? Rewind to the Wednesday before I left for Thailand and my main man Mike SharMAEN comes ambling into our offices with a whole bunch of BELTER dancers who start doing the exact routine the dancers in the Two Door Cinema Club do in the “What You Know” video.

 

 

After that, he drops off a pair of SICK Skullcandy headphones along with every imaginable flavour of 5Gum (which is a great substitute for actual toothpaste if say you’re stuck on a long-haul flight to Bangkok and you packed your toiletries in your hold luggage like a douche) and tickets to watch Two Door Cinema Club play at a secret venue.

Fast forward to Saturday night and J-Rab and I are boarding a bus at the overflow parking next to Cape Town International and heading directly into the heart of what I’m pretty sure is Nyanga.

I pack a hip flask with scotch for occasions like these on the off chance that instead of the big surprise blowing my mind with atomic force, it makes a sound like a turtle farting and bashfully shuffles off in shame while I drink the place interesting.

No need for that though. Shit was about to melt faces.

We pull up to what looks like a derelict prison / abandoned textile factory in an area where I’m pretty sure people get stabbed with rusty screwdrivers for their shoes and everyone in the bus is saying the same thing: “No wonder they kept it a secret. No one would come otherwise.”

 

 

But deep down we were all intrigued and the minute we’d all stepped out the bus and were able to take our surroundings in properly, we quickly realised that the venue was like NOTHING we’d ever seen before.

I was lucky enough to attend the press conference before the show and the band straight up said they don’t think they’ll EVER play a venue like this again, which I thought was a nice thing to say, but probably total bullshit.

 

 

I now know that it was the honest-to-God truth.

I’ll be VERY surprised if they play a venue this sick again and I don’t mean that to sound like a slight to the band at all – it’s a compliment to the event organisers who deserve some kind of fucking trophy or something for finding that venue.

We arrived just before sunset, grabbed a couple of beers and headed to the stage where we were totally blown away by both the setup and the sound, which rang out clear as a bell in the awesome natural acoustics of what looked like an old warehouse.

 

 

The Plastics were the first band to take to the stage, a band I’ve only seen play live once before (that I can remember) but even that one time, I remember being seriously impressed by their performance.

Their set on Saturday was nothing short of brilliant. They’re like a re-imagined version of early Arctic Monkeys meets The Kooks with enough of their own flavour to keep things interesting.

I dig the way they switch tempos effortlessly mid-song, rocking the indie / stoner rock vibes like a buncha pros.

I’ll definitely keep an eye out for them in future, I’m fucking ashamed I haven’t latched onto them sooner. Christ what an asshole.

After that I hit up the VIP tent with The MAEN, slammed some tequila and avoided security at all costs because The MAEN snuck me in there and they were eyeing me like they were measuring me for a coffin.

 

 

After that we hit a bit of a low-point, the only one of the entire evening.

J-Rab started feeling hungry. So we found the only place selling food, a tiny pizza caravan, and joined the back of the queue.

Two minutes passed and we didn’t move an inch, which was about all the patience I had at that point. I took a sneaky stroll right to the front of the queue, conveniently ran into a friend of mine waiting there and slipped in.

Before the people who were waiting in that queue go hating on me because I did what all of you wanted to, I’d like to point out that even though I did that, I still missed pretty much an hour of the show and didn’t see Ashtray Electric at all.

So I suffered too, ok? Although the rumours going around were that some people waited for 3 hours in that same queue.

What the fuck guys. Never wait for that long in a queue for ANYTHING. You’re better than that. Just brave the dirty looks and make a bee-line for the front. We aren’t cattle fer chrissake!

We ate our pizza just in time to get back to the main stage for Two Door Cinema Club’s set and all I can say is wow. I honestly never thought it was possible for a band to breathe that much life and fucking energy into a live performance.

 

 

Their album is good (Tourist History), it’s got some great hooks and is solid, dancey indie that has just enough substance to stay fresh a good couple of listens down the line.

But when that band takes that material to the stage all of a sudden the album starts to come alive in ways you could never imagine.

The chorous of “Come Back Home Home” hit like a haymaker, the crowd swelled and surged like an ocean during “Undercover Martyn” as we all screamed “To the basement people! To the basement!” and when they unleashed “I Can Talk” during the encore, the raw energy all around us reverberated through the busted concrete factory with the kind of intensity that would have brought the walls down if they were still standing.

 

 

What was also so great was how humble the band was throughout. Frontman Alex Trimble seemed genuinely happy to be there and was loving every second of the gig which I think was a refreshing change from other international acts that have played in front of SA audiences looking bored to tears.

When it was all over, I staggered outta that ruined factory feeling pretty ruined myself. I was totally spent, my muscles aching from how crazy I went during the show, my veins pumping cheap whisky and burned out adrenaline and my mind retreating into a warm, contented fog, satisfied that the evening couldn’t possibly have ended any better.

 

 

To Mike SharMAEN and the gang at 5Gum, I salute you. It’s gonna take one helluva event to top that show and I will personally chew my way through 100 miles of your gum for another experience like that.

Group hug.

-ST

24
Nov
11

The Road To Synergy: Part 4 – SUCCESS!

wtf_catYOU GUYS AREN’T GOING TO MOTHERFUCKING BELIEVE WHAT FUCKING WENT DOWN YESTERDAY! THE CRAZIEST SHIT, LITERALLY THE CRAZIEST SHIT YOU COULD POSSIBLY IMAGINE!

After that mopey “I give up” post I wrote because I’d completely lost hope that I’d ever get tickets to Synergy and get to interview Black Rebel Motorcycle Club (one of my favourite bands of all time), EVERYTHING changed!

Thanks to Mr Dan Nash, the organisers of Synergy, a little badass called Paula K and most importantly, Grant Gelt from New Sound Artist Management I now not only have two tickets to the festival, but a photo pass so J-Rab can get shots from the photo pit and they’re doing what they can to arrange an interview on Saturday!

How fucking crazy is that shit?! It just goes to show, if you want something badly enough and throw yourself into it face first (with a cat on your back) sometimes, just sometimes, it actually works out.

Throughout the day one thing after the other was falling into place and then last night, at about 9pm, an email came from New Sound Artist Management saying they’d read my posts and wanted to basically help me get as close to the band as humanly possibly!

If you guys could’ve seen me last night you would have thought I had actually finally lost my fucking mind. Air punching, screams of “FUCK YEAH!” and practically having a full on seizure is how I spent the better part of an hour.

 

 

Then I promptly passed out from exhaustion, woke up this morning and continued the air-punching, seizure-inducing marathon that will probably only stop on Sunday.

This is going to be the best fucking festival EVER! I can hardly sit still I’m so fucking stoked – how the hell I’m going to get through the next 24 hours without physically detonating from excitement is anyone’s guess.

Batten the hatches boys and girls, the Tiger’s tearin’ up Synergy Winking smile

 

 

That was “Weapon Of Choice”. They’ve changed their drummer since recording that video, so you won’t see that dude (Nick Jago) behind the kit. But don’t be sad, they replaced him with a total belter!

 

 

In all my BRMC-inspired obsession, I realise that I’ve completely neglected to mention the killer SA bands that I’m going to be supporting at Synergy.

There’s a shitload of them, so not sure how I’m really going to be able to fit them all in, but here’s my festival wishlist:

  • The Plastics
  • Shadowclub
  • Taxi Violence
  • Zebra and Giraffe
  • Good Luck
  • McCree
  • Sixgun Gospel
  • Tumi & The Volume
  • Desmond and the Tutus (it’s been WAAAAYYYY too long!)
  • Isochronous
  • THE NARROW (HELL’S YEAH!)
  • Captain Stu (if I survive until the bitter end – please guys, stay to watch these guys, besides being awesome guys, their music is guaranteed to melt faces)

Life, my friends, has a funny way of working out sometimes.

To everyone who made this possible, thank you again, I won’t forget this Winking smile

-ST