Posts Tagged ‘stone temple pilots

13
Nov
12

New Soundgarden Album Hits Stores Today

120927-soundgardenEvery time a 90s rock band rears it’s greasy head from a decade or more of obscurity, I buy the album for nostalgia’s sake only to end up filing it in the overflowing folder of “albums never to give a shit about again.”

Alice In Chain’s 2009 effort minus their iconic frontman was a sad parody of the band that used to write grunge that was so heavy just listening to it instantly addicted you to heroin.

Stone Temple Pilots and Hole both dropped Frankenstenian albums in 2010 that were nothing more than a sum of the decaying, disused parts from previous albums haphazardly sewn together and zapped (briefly) back to life to terrorise the villagers.

Garbage’s recent album Not Your Kind Of People literally had one decent track on it and the recent Smashing Pumpkins album Oceania, whilst being the best of a bad bunch, was nothing we haven’t all heard before.

Which brings us to Soundgarden’s latest effort, King Animal (in stores today!). You remember Soundgarden right? Growly, screamy vocals, monster grunge riffs, Jesus-complex lyrics (complete with hair and goatee), drums tighter than a nun’s… moral code…

 

 

Soundgarden! Back before Chris Cornell joined Audioslave and dragged both the name of Soundgarden and Rage Against The Machine through the mud? Before he decided to team up with Timberlake and record the 2009 solo album Scream, which affirmed what a gigantic fucking worthless douche he was all along?

Ok, maybe that last sentence was a little  harsh. I mean shit, a failing grunge musician’s gotta eat right? But to hear one of the best lyricists of the 90s sing “That chick ain’t a part of me” was the final nail in the coffin for me.

I wrote Cornell off completely, as did millions of others, so what did he do? He picked up the phone, called Kim, Matt and Ben and was like, “Guys, I fucked up, please let’s get Soundgarden back together and make a fucking face-melting album so the world can stop laughing at me behind my back.”

Is King Animal that face-melting album? Until I hear it, I have no fucking idea, but the first single, “Been Away Too Long” is pretty much stock-standard, meat and potatoes Badmotorfinger-era Soundgarden.

Check it:

 

 

Huh. Promising? I honestly don’t know. I’ve been let down so many times by 90s rock bands in recent years that I’m starting to think they all should have gone the Cobain route and eaten some buckshot while they were still popular and relevant.

Lemme get my hands on this filthy basterd and who knows? Maybe I’ll shock everyone’s pants off and write an album review – remember when I used to do those?

Yeah, me neither Winking smile

-ST

21
Jul
10

Album Review: Stone Temple Pilots

I used to like this band. Back in the 90s they had some pretty killer songs and their debut album Core (1992) was definitely one of the better albums to come out of the grunge era.

 

 

Their second and third albums were also ok, but by the time albums four and five rolled around it was pretty obvious to their rapidly diminishing fan base that whatever magic these grunge / alternative / arena rockers had back in the early 90s was pretty much dead and bloated.*

So why, I ask you, why in God’s name would you want to come back, nine years later and record another album?

There’s only one excuse to go there, and that’s if you’ve been working long and hard over those nine years to write material that really gets people sitting up and listening, material that lives up to the hype a nine year hiatus is likely to create, but did Stone Temple Pilots do that? Did they release that album?

No. They did not release that album. They released a turd instead. Another almighty stinker to remind the world that while the grunge era might have been badass while it was happening but it’s fucking over now and should be buried in the same landfill our flannel shirts ended up in.

 

 

From the opening track “Between the Lines” this album aims low and misses. How about these for brilliantly written, awe-inspiring lyrics, “Penguins don’t fly / Crocodile Sunday smile / Really love to fish / But don’t like super-fishy people”.

Even worse is the way “Between the Lines” shamelessly rips off the Nirvana classic “Stay Away” like nobody’s business. Hit play and see for yourself.

 

 

Do those two vocal lines sound a little similar to you? Yeah, that’s because at best all this album amounts to is a half-assed attempt at rehashing what other bands did much, much better back in the 90s.

One minute they sound like a bad Soundgarden cover band (“Take a Load Off”) and the next they’re banging out Blind Melon-type choruses with reckless abandon (“Fast As I Can”), but that’s not even the worst of it.

The worst of it is the track “Cinnamon” which sounds like it was written and performed by Hanson. And then to prove they can still shake things up, they end the album with the track “Samba Nova” which, as the name suggests, sounds like a samba song someone wrote after pushing two Es up his arse.

 

 

When they’re not ripping off everyone from Blind Melon to Spacehog to David Bowie (I swear the chorus line in “Dare If You Dare” is taken verbatim from the Bowie classic “All The Young Dudes”)  they’re trawling their previous albums for riffs they can regurgitate to try and make sound fresh.

The closest this album comes to producing a half-decent track is the bizarrely titled “Hickory Dichotomy” which has a certain nursery rhyme catchiness to it if you don’t mind listening to frontman Scott Weiland’s meandering pseudo-intellectual lyrics.

Like I said, I used to like this band, I really did, but I just feel that the new self-titled album is about as interesting as listening to an hour long sound effects record of traffic noise.

Final Verdict: 3/10

*10 points for anyone who sees what I did there. TEN!