Posts Tagged ‘flight of the conchords

27
Aug
12

Flight Of The Conchords On A Mission To Save The Kids

fotc_tourIt was a sad moment in TV history when one of the best shows to ever air, Flight Of The Conchords, was cancelled after just two seasons.

Apparently American audiences just didn’t get the show, so they canned it despite the massive cult following it had, which was a gigantic load of bullshit. That show should never have been cancelled, it was pure comedic genius.

The good news though is that Brett and Jemaine have released a new song to raise money for sick children that’s called “Feel Inside (And Stuff Like That)”. They came up with the lyrics by interviewing a whole bunch of school kids about what should be done to help sick kids. Needless to say, the results are awesome.

Check it:

 

 

Beautiful. I dig the way Brett and Jemaine are trying not to can themselves throughout the interviews with the kids, it’s pretty funny to see them break character, makes them even more likeable.

Also dig Jemaine’s badass snor when it cuts to the actual song.

Would be amazing to see a third season of Flight Of The Conchords if for no other reason than to see Murray being a dork again.

Happy Monday Winking smile

-ST

30
Aug
11

Eastbound And Down – The Series I tried To Hate

anchormanWill Ferrell might be a comedic genius but there are only a handful of movies he acts in I actually like.

Anchor Man was hilarious and highly original, The Other Guys had me laughing from literally the first scene and even though Stranger Than Fiction had a bit of a shit ending, it was based on a great premise and it was refreshing to watch him in something where he hardly shouted or swore at all.

But you gotta give the man credit where it’s due. His flamboyant, completely unpredictable, loud, crass and bizarre acting style has spawned an entire genre of American slapstick humour which the series Eastbound & Down steals shamelessly from.

The protagonist (Kenny Powers, played by Danny McBride) is an egotistical, washed up ex-baseball player with a killer mullet who is a gigantic asshole to everyone he lays eyes on.

 

 

His unapologetic, borderline-retarded, male chauvinistic world view is so narrow that it encompasses him and no one else. This is made all the more cringe-worthy by the fact that while he used to be a pitching sensation and baseball superstar, at the start of the series he can barely hit the broadside of a barn, a fact that his gigantic ego refuses point-blank to accept.

Bottom line is I was determined not to like this series right from episode one and yet, I’ve just finished watching the series finale for season one and I have to admit, it’s a pretty funny series that threw a few unexpected curveballs (yes. I just did that) in the later episodes.

I also really enjoyed Kenny’s sidekick in the series, Stevie the band teacher at the highschool where Kenny ends up working. I swear to God, the minute they start giving Stevie more scenes this guy steals the show completely.

He’s like the male version of ‘Mel’ from flight of the concords, only more awesome. I almost felt more sympathy for his character than I did for Kenny himself because Stevie is hilariously dorky, awkward and totally unfaltering in his loyalty to Kenny.

 

 

Of course, the reason why the whole project feels like a Ferrell rip-off at first might have to do with the fact that he produced and acts in it, but it still has enough originality to break out of the Ferrell mold and the ending is one of the best cliff-hangers I’ve seen in a good, long while.

Needless to say, I’ll be jumping right into season 2 tomorrow and apparently season 3 is on the cards (that’s going to be the final series from what I’ve read) so hopefully the show can maintain the momentum it picked up over the course of season 1, but I’ll be sure to tell you how it all turns out.

For the time being, just watch season 1 if you haven’t already and tell me what you think, I’m always open to feedback. And group hugs.

C’mere. Mmmmmmmm…

-ST

19
Jul
10

Monday Morning Kicks

Danny de Vito always kinda creeped me out because what the hell is he? He’s not a dwarf and he’s not a midget, he’s just a really short guy who I can’t look at without picturing the Penguin from Batman.

He’s a great actor though, I decided this on Friday night when J-Rab, Jennyjenjen (previously known as Jenni-fuh) and me invited ourselves around to Barbarian’s place after a few drinks at Trenchtown and spent the whole night watching It’s Always Sunny In Philadelphia.

 

 

I don’t know if I’ve been living under a rock the past few years and after posting this a whole bunch of you are going to think I fit into the ‘laggard’ section of the adoption curve (GOD FORBID!) but seriously, I’ve never heard anyone talk about It’s Always Sunny In Philadelphia and it’s the funniest fucking TV show I’ve watched since Flight of the Conchords.

The humour’s completely different though – Sunny In Philly is full of loud, shouty Americans doing insanely stupid and fucked up shit to one another that had me crying I was laughing so hard.

Think Three’s Company on crack and without the lame canned laughter. I hate canned laughter. Those are dead people laughing, did you know that? Yeah, canned laughter is recycled over and over so the next time you hear it in a sitcom, just think about that for a second. Dead people.

You know a TV show’s a winner when the episodes have titles like “Mac’s Banging The Waitress”, “Mac and Charlie Die” and “Who Pooped The Bed?”

And to top it all off they got Danny de Vito in there playing Frank Reynolds who frequently exploits and insults anyone he comes into contact with and is generally shady, unethical and pretty siff all in all.

And so I leave you with the following clip to give you a laugh on what is otherwise a mind-numbingly crap Monday.

 

 

Catch you crazy cats tomorrow.

-ST

24
Mar
10

Album Review: Gorillaz – Plastic Beach

The new Gorillaz album is definitely their worst offering to date. Don’t believe what all the music critics out there would have you believe, they’re full of shit and so is this album.

 

 

This album will confuse you. You’ll think it’s interesting and cute at first, but after a few listens you’ll concede that like toilet spray, all the aural bells and whistles that saturate this album are nothing more than a thin disguise to try and hide the fact that this album stinks.

In my humble opinion, Damon Albarn, the creative genius behind The Gorillaz (and former frontman of the best Britpop band to ever play, Blur) is running out of ideas. He collaborates with no less than 15 different artists on this heap of dung album, which probably explains why listening to it feels the same way trying to do long division sums in your head used to back when you still remembered how.

Never trust a pop album that opens with classical music. What that tells you right from the outset is that it’s trying to be something it’s not. Throw that shit the fuck away.

‘Welcome to the World of the Plastic Beach’ featuring Snoop Dogg is, in two simple words, fucking boring. One critic commented how Snoop has never sounded so chilled and laid back in a track before. Yeah, that’s because he’s not even fucking trying!

 

 

I don’t like rap at the best of times, but the way Albarn has allowed it to overrun this album is nauseating. Toneless, repetitive and banal, tracks like ‘White Flag (featuring Bashy, Kano & The National Orchestra for Arabic Music)’ (I know, what the fuck?) and ‘Sweepstakes (featuring Mos Def & Hypnotic Brass Ensemble)’ are so utterly devoid of the quirky intelligence that used to define Gorillaz that they’ll have you banging your head against a wall to get a little mental stimulation going.

The good news is that, with 18 tracks on the album, there are at least some that find their mark. ‘Rhinestone Eyes’, has a nursery rhyme kind of charm to it that, combined with the sinister synth undertones in the chorous is a lot closer to the Gorillaz we all know and love.

‘Stylo (featuring Mos Def & Bobby Womack)’ is also a pretty decent, retro R&B track that kind of sounds like the Flight Of The Conchords track ‘Inner City Pressure’ and ‘Superfast Jellyfish (featuring Gruff Rhys & De La Soul)’ is quirky enough to remain interesting and is reminiscent of ‘19-2000’ (‘got the cool shoeshine’) off their eponymous debut album.

The best track by far on the album is ‘Some Kind Of Nature’ featuring Lou Reed of all people. It’s a classic Gorillaz track and probably the closest the album comes to delivering a ‘Clint Eastwood’ or ‘Feel Good Inc.’

 

 

Besides that, there really isn’t much to say about this album. The general feeling I get from listening to it is similar to the way Sunday night feels after an awesome weekend. You’ll find yourself gazing off contemplatively a lot when listening to Plastic Beach, wandering what the hell happened to put such a downer on the brilliantly-written pop masterpieces that adorned the previous two albums.

Final Verdict: 5/10