Posts Tagged ‘fight club

03
Sep
12

Escape Monday: After The Apocalypse

6b08cfd4c3e8c68a81de33732e058d1b-565x405I’ve decided to start a new project on the site, I’m calling it Escape Monday. The idea is to post stuff every Monday to distract you, even if it’s just for a minute, from the fact that tragically, the weekend has ended.

The images below struck a chord with me because I daydream about stuff like this all the time.

This is the world Tyler Durden imagined in Fight Club. A post-apocalyptic garden of Eden where the few people who have survived have returned to their hunter / gatherer roots among the crumbling cityscapes.

To quote Mr Durden himself:

In the world I see – you’re stalking elk through the damp canyon forests around the ruins of Rockefeller Center. You’ll wear leather clothes that will last you the rest of your life. You’ll climb the wrist-thick kudzu vines that wrap the Sears Tower. And when you look down, you’ll see tiny figures pounding corn, laying strips of venison on the empty car pool lane of some abandoned superhighway.

 

 

 

 

 

 

 

 

 

 

I stole these images from Beautiful Decay – the artist’s name is Nick Pederson and if you feel like escaping Monday for another few minutes, I’d highly recommend checking his site out.

Watch this space party people, more Escape Monday stuff coming up at lunchtime Winking smile

-ST

12
Apr
11

Fight Club For Chicks

I don’t know how I missed this band. It’s a double edged sword because part of me is like “What the fuck how could these guys slip off my radar? What kind of music junkie am I?” but the other part of me is like “FUCK YEAH A NEW BAND THAT ISN’T SHIT!”

Because a lot of them are shit, trust me, I wade through piles of it on a monthly basis so that you don’t have to.

Which brings us neatly to today’s band, Nico Vega, who dropped their eponymous debut album two years ago. I got my hands on it last week and can’t stop playing it.

It’s fucking sexy man, jayziz! The singer, Aja Volkman has this incredible voice that at times sounds like Florence Welch (from Florence and the Machine) and at others sounds like Karen O (Yeah Yeah Yeahs) and man has she got a pair of lungs on her, her scream makes the hairs on my neck stand up.

So yeah, watch this video for one of their tracks “Gravity” and you’ll see exactly what I mean.

Just be warned though, this shit’s violent as fuck.

It’s like Fight Club for chicks Winking smile

 

 

Happy Tuesday.

-ST

02
Jun
10

Album Review: The Dead Weather – Sea Of Cowards

If Marla Singer from the movie Fight Club started a band, it would sound like The Dead Weather. They’re dark, edgy and angry and with their second album they’ve perfected their particular brand of radio-unfriendly blues / tripped-out reggae / 70s rock and infused it with enough wailing feedback, weird synth effects and creepy organs to bring the last acid trip you had flashing back hard and fast.

 

 

Their previous effort, 2009’s Horehound did very little to impress. Musically, it sounded like everyone on the album was pulling in different directions, a common short-coming suffered by supergroups. The songs were loose and rushed and whatever inroads they made with regard to originality and style were overshadowed completely by singer Alison Mosshart’s toneless wailing and the disjointed, hookless attempts at songwriting that defined a lot of tracks on the album.

The biggest draw-card that Horehound had was the fact that Jack White (of The White Stripes and The Raconteurs) was in the band, but even that didn’t impress too much. ‘Oh, another Jack White side-project? Meh’ seemed to be the general consensus.

Fast forward to ten months later and The Dead Weather’s second album is already on shelves and who knows what the hell happened in those ten months but the band has come back tighter, meaner and better than ever.

Interestingly, in a recent interview, Jack White explained that the title Sea Of Cowards is a direct reference to the hordes of anonymous trolls on the internet that ‘spit venom and attack people in a cowardly way using fake names.’ Dorky? Yeah, a little, but trust me, the album is anything but.

 

 

This time around, Mosshart has found a happy medium between the aforementioned ‘toneless wailing’ and the throaty whispering that she’s prone to and I was pleasantly surprised to find that on Sea Of Cowards I didn’t feel like my ear drums were being scraped with industrial-grade sandpaper every time she belted a chorous out.

Although to be fair, Jack White does sing a lot more on Sea Of Cowards than he did on Horehound, which is definitely what the latter album was sorely lacking. The man has also upped his game considerably in terms of loading the tracks on Sea Of Cowards full of sick, bluesy, distorted guitar riffs and hooks that bite hard and don’t let go.

The first single, “Die By The Drop” is definitely not the finest example of what this album has to offer, the chorous is a mess, but the vocal dynamic between Mosshart and White during the verse works well and the lyrics “Let’s dig a hole in the sand brother / A little grave we can fill together… Some people die just a little / Sometimes you die by the drop / Some people die in the middle / I live just fine at the top” are catchy as TB and guaranteed to get your inner air drummer jamming.

The best track on the album is the instantly likeable “The Difference Between Us”. If you’re thinking of buying this album, listen to this track and if it doesn’t grab you, steer clear of Sea Of Cowards and go check out the new Michael Buble album, I hear it’s a huge hit with mindless drones the world over.

 

 

“The Difference Between Us” rises like a dark phoenix from a distorted guitar / synth melody that is perfectly accentuated by either White or Jack Lawrence, both of whom are credited as drummers on the album.

Fucking superbands. Swapping instruments like wives at a swinger’s party. You gotta love that shit.

“No Horse” moves with the sexy confidence of a gunslinger in a fist fight and has a bassline that will make you grin from ear to ear it’s so badass, not to mention the grungey, wailing guitar riffs that White bends and grinds out like a maniac.

The last track on the album, “Old Mary” will confirm any suspicions that this band is seriously twisted. The quiet, church-organ chords that haunt this track make a fitting backdrop to White’s lyrics, which are a twisted bastardisation of the Hail Mary: “Old Mary full of grease / Your heart stops within you / Scary are the fruits of your tomb / And harsh are the terms of your sentence…”

 

 

It’s an album that feels like it died in the Old West (thanks to the awesome melodies ex-Queens Of The Stone Age guitarist, organist, pianist and bassist Dean Fertita brings to the mix) and was revived sometime in the 70s in a drug-fuelled séance. It’s sexy, it’s deadly and it’s hell-bent on breaking all the rules.

The Dead Weather have done a fine job of carving out a sound that is unlike any band you’ve ever heard, and with Sea Of Cowards they’ve fine-tuned that sound into a far more listenable and coherent whole and proved without a doubt that they aren’t here to fuck around.

Try this album on for size, see where it takes you and who knows, when you get there, you might just thank me 😉

Final Verdict: 8/10

-ST

05
Mar
10

When I Grow Up, I Wanna Be Alan Knott-Craig

A long time ago, I was a journalist working with a team of people from all over the world and I felt pretty fucking special and amazing.

We got paid every week in cash, huge wads of R200 notes carefully counted, stacked and packed into brown paper bags.

See, what we were doing wasn’t exactly legal. It would bore the hell out of me to have to explain it as I’ve probably told this story a hundred times, so instead I want you to think of the scene in Fight Club where they’re in the boutique store selling soap.

 

 

The narrator says something about how all they’re doing is selling rich people their fat asses back to them – we were doing the same thing, only in an editorial sense with neat, official rate cards with prices printed in Euros.

You want a page of advertising in our report? That’ll be eighty-fucking-nine thousand Euros please.

I know what it feels like to be escorted out of someone’s office by security. I also know what it feels like to lie to mayors, ministers and high-powered CEOs right to their smug little faces instead of the other way around.

You’d be surprised how easy it is – 70% of winning people over is looking the part, get that right and with enough important-sounding smarmy banter you can bullshit your way into anything.

That’s how I landed the interview with Alan Knott-Craig, who was the then CEO of Vodacom. A phone call here, an official-looking series of faxes and emails there and then next thing I knew, I was waltzing into his offices with my Hawaiian team-mate Steven, both of us dressed to the nines in expensive business suits and leather shoes polished until they looked like black mirrors.

I wore a fucking tie. I had a fucking briefcase. I was 22 years old.

For the record, old Alan had the hottest PA I’ve ever seen in my life. That woman was hot enough to melt tar, fahk. It’s a smart move because before you’ve even met the man you already have this grudging respect for him whether you’re conscious of it or not.

 

 

Understandably, I was more than a little nervous and had asked Steven, 12 years my senior, which interview question of the ones I’d drafted I should start with.

‘None of them,’ he replied.

‘What?’ I said.

‘Dude, you look like a kid fresh outta college.’

‘I am a kid fresh outta college.’

‘Yeah, so you’ve got to earn the man’s respect or he’s never going to take you seriously. Start with a difficult question, show him you’re not afraid of him.’

‘O… kay…’

‘Ask him why Vodacom’s cell phone rates in South Africa are so much more expensive than other places in the world.’

‘Are you sure?’

‘Yeah.’

‘You don’t think that’s going to piss him off?’

‘Trust me, after that he’ll know we aren’t fucking around and after that, he’ll buy some advertising in the report.’

‘Cool. Ok, I’ll do it.’

He’s a tall guy, ol’ Alan. Big hands. Exudes unwavering confidence and is direct to the point of almost coming across as rude.

 

 

None of this helped my nerves. We all sat down and I opened my briefcase with trembling hands as he sat there, calm as a cat with its claw through a mouse’s tail.

‘So Mr Knott-Craig,’ I stammered once I was set up and ready to go.

‘Call me Alan,’ he replied.

‘Alan. Why are Vodacom’s rates so much more expensive than other places in the world?’

And good old Alan, good old Mr Knott-Craig, I’ll never forget his response as long as I live. Me, a skinny kid out of college no idea what the hell I was doing, and him, one of the most influential men in South Africa, the chief executive officer of an empire.

He stared straight at me with a look that could weld steel and said one word.

‘Crap.’

Which is exactly what I did.

And that’s why when I grow up I want to be Alan Knott-Craig, what a fucking badass.

-ST