Posts Tagged ‘caleb followill

27
Oct
11

Kings Of Leon Melt Faces In Cape Town

26102011430“If it bleeds, it leads,” is generally accepted as the first rule of journalism, which is why I should have been sceptical right from the outset when I heard that Kings Of Leon were cocky, arrogant arseholes who were known to give the middle finger to crowds who don’t hang onto every note the band plays.

Their performance last night in Cape Town was anything but cocky and arrogant, which proves that either the rumours were a load of utter shite, or the band were suitably impressed by their reception last night when they took to the stage and melted our faces off.

I was lucky enough to have been given VIP passes by the kind folks at Nokia, but even better than that was the fact that I also bagged one of 20 VIP parking tickets that were randomly put into the 200 media packs they handed out.

It’s the only way to go, seriously. J-Rab and I drove right INTO THE STADIUM after passing through security checks that were so intense, at one of them they unleashed a sniffer dog on us to make sure we weren’t packing any bombs to blow the place up (luckily I’m saving the bomb for when Maroon 5 come to play so I was safe).

Once inside we hopped in the lift, shot up to the fifth floor and sauntered into the Nokia suite where, like a typical blogger, I immediately started abusing the free drinks and taking pictures of the food.

 

 

We managed to catch the end of Shadowclub’s set which I was really impressed with. It’s a bit sad the stadium was basically empty at that stage because the guys put on a great show and played some killer blues/rock in the Strokes / Wolfmother / Black Rebel Motorcycle Club vein that would have gotten the crowd pretty pumped if there was one.

What quickly became apparent though was that while the Nokia lounge was seriously p1mping, it was pretty far away from the stage, and even with my camera on full zoom, this is what everything looked like:

 

 

A plan would have to be made… but not before another few rounds of drinks / bowls of biltong.

The Black Hotels followed Shadowclub and played a decent set, but sadly we missed quite a big chunk of it thanks to the varied distractions of the VIP lounge (whisky).

Unfortunately when it came to the SA bands, they were given such limited stage time that it felt like they were over before they’d really begun. On the plus side, their sound was surprisingly good and for once it didn’t sound like they were playing through rusty tin cans.

By the time Die Heuwels Fantasties took to the stage, the place was starting to really fill out and energy levels in the crowd were rising fast. Die Heuwels played like seasoned stadium veterans, but it wasn’t until Jack Parow joined them onstage for “Die Vraagstuk” that the crowd really started going batshit crazy.

From there on in, the night belonged to Kings Of Leon and I for one was truly blown away by their performance which, coming from a cynical basterd like myself, is saying a lot.

 

 

I started following KOL when Because Of The Times dropped and within weeks of getting my filthy mitts on that album, picked up Youth And Young Manhood and Aha Shake Heartbreak. 

For me, the material in those three albums is some of the band’s best to date, which was why I fucking loved their set last night.

Sure, they played the four tracks that make up the entire catalogue most South Africans know (ie. “Sex On Fire”, “Use Somebody”, “Radioactive” and “Pyro”), but they also played at least 7 or 8 tracks from Because Of The Times and some classics like “Molly’s Chambers” and “Taper Jeans Girl” from their first two albums.

It was a nod to their die-hard fans to remind us that before they exploded into the mainstream with Only By The Night KOL was our band, not 5FM’s, and the music they wrote was the soundtrack to our lives that we heard at random house parties and played on epic road trips.

 

 

I know I sound like a typical music snob saying it, but there’s a very close connection you feel to a band before they get picked up by the mainstream that is never quite the same after their material gets blasted on high rotation on every radio and TV station known to man.

And don’t even get me started on remixes. I’ve heard “Sex On Fire” remixed so many times I start twitching involuntarily whenever I hear that song butchered on another “doef doef” beat.

In a sentence, I loved KOL’s performance last night because it made me remember why I used to love this band and judging from how fucking nuts the crowd went, I wouldn’t be surprised if a lot of the people there last night go out and buy their first three albums.

 

 

Also, Nathan Followill is a fucking SICK drummer. If you’re going to watch them in Joburg, keep an eye on that man, he’s truly amazing to watch live – he pounds the living shit out of his skins, it’s beautiful.

Joburg, prepare yourselves for a concert you won’t soon forget, but take my advice and go out there and get their first three albums because listening to those songs live is nothing short of breath-taking.

Big up to Nokia for hooking a brother up. I love your work guys, after the concert we partied at the VIP lounge until they turned the lights on and then J-Rab asked if she could have the flowers and kind folks at Nokia were like “Sure, go wild.”

 

 

But most importantly – Kings Of Leon, thank you for an amazing show, you made a believer out of this cynical music snob and for the two hours you were onstage, became our band again Winking smile

-ST

17
Aug
11

Treefiddy Review: The Features – The Wilderness

features-wildernessThe Down Lizzo:

You probably haven’t heard of them, but The Features latest album Wilderness is pretty fucking cool.

They’re a four-piece indie rock / neo psychedelic band that hails from Tennessee and borrows a bit from a multitude of bands ranging from Kings Of Leon to Kasabian to Franz Ferdinand.

They keep it all glued together with a sound steeped in carnivalesque organs, skuzzy basslines, shimmering tambourines and frontman Matt Pelham’s vocals, which sound, weirdly enough, like a mixture of Phil Collins and Caleb Followill.

Sick Tracks:

“Another One” is the most easily accessible track on Wilderness. It’s a perfect yin-yang of floaty 80s synth and guitar melodies punctuated with some sick cow bells and darker, heavier organ parts that play in the chorous while Pelham gives his vocal chords a solid workout.

 

 

“Kids” is a wild, dirty, unrepentant two-and-a-half-minute ruckus about fathering children that are “born screaming with fire in their eyes / Like wild demons that came as no surprise”. It somehow makes fatherhood sound simultaneously fun and terrifying, which is exactly what I imagine it is.

“Rambo” also stands out as a great example of this band’s grasp of truly epic songwriting. It sounds like an old Spaghetti Western track, only better. It’s like “Ghost Riders In The Sky” on steroids, and Pelham’s gritty vocal cries at the end of the track are a great touch.

And lets not overlook “Golden Comb”, which descends into a swirling vortex of flaring, nightmarish organs, frantic drums and robot rock basslines, brought to life by Pelham’s anguished screams. And then, one track later, he crosses into full on Neil Diamond territory in the lovelorn track “Fats Domino”.

It takes a special kind of talent to write with that kind of range.

 

 

Should You Give A Shit?

I think so. I think this band has everything it takes to eat into Kings Of Leon’s fan base once the world has grown tired of them.

But I’m not here to dictate what you should or shouldn’t like, I’m just here to give you my opinion, which happens to always be right.

So give “Another One” a listen so we can both agree on this and then let’s go huff some glue, I’m buying Smile with tongue out.

 

 

Final Verdict: 7/10

-ST