Posts Tagged ‘arno carstens

10
Oct
12

The Tiger Rocks The Daisies Chapter 3: The Saturday, The End

IMG_2257Phew! What an epic festival review hey Party People? Christ, feels like all I’ve been posting for the last two weeks is Daisiesdaisiesdaisiesdaisies.

Time to wrap it all up with my Saturday post and then I promise you’ll not hear anything more about this festival until next year rolls around.

Like the day before it, Saturday morning was a hoot. Myself, Peggles, Barbarian and Spu spent it all chilling together while the girls hit the Daisy Den which took at least about two hours, just enough time for us to smash a couple beers and ease ourselves into the day.

From there everyone got all Tiger-striped up and we went to actually explore the festival and try to catch some bands.

 

 

We started by checking out the Hemporium stage where Little Kings were playing the most chilled out set you could ever imagine. I liked this band a lot, they just had this great vibe about them, very loose and easy breezy but great songwriters and performers, all of them.

This is what that looked like:

 

 

After that we met PURPLE MAN! Well, if by met PURPLE MAN I actually mean watch a man in a purple morph suit walk casually into the dam, then ya.

We met PURPLE MAN!

 

 

Once we’d finished laughing and taking pics of PURPLE MAN, I finally hit the media lounge for the first time at the festival where I had an ice cold Red Bull, ate some kind of cranberry / cereal snack thing and contemplated using one of the laptops there.

Next time. I swear I’m blogging from Daisies next time…

Next stop was the beach bar, which was PUMPING! On the way I ran into some proper BOYCHAYS and this happened:

 

 

I don’t remember how long we stayed there, but eventually we decided to hit the road when the people there started tweaking out and tried to fingerbang each other’s nostrils.

 

 

At the main stage we half-heartedly watched a band before deciding to wander over to the lemon tree theatre where we caught our good buddy Dylan Skew’s set which, again, had all of us literally in tears.

That guy is my favourite South African comedian, hands down. I swear, it’s like he’s read my mind, found the funniest, most random thoughts and made stand up out of it.

Hats off to that man. His material is seriously amazing.

Then we met these guys in lumo vests with camel packs who, judging from this picture, loved the shit out of me.

 

 

After that, we went back to the main stage to listen to some more bands I don’t remember and J-Rab met Bob, who she instantly fell in love with.

 

 

The temperature started plummeting pretty soon after that so we went back to The Mushroom and suited up for the evening. I had some jelly tots that a buddy had spare and wandered out into the night like some high-powered mutant.

God’s own prototype Winking smile

 

 

Among other things we checked out the New World Beat Barn and I instantly regretted the fact that I hadn’t discovered it sooner in the festival. It was like some kind of crazy carnival in there, good times as far as the eye could see.

We also posed for a pic with this skeleton who was in a bath tub:

 

 

Above us there was this long string of balloons and lights that must have been at least 300 meters long. It floated like this long, luminescent string of glowing blue dental floss against the night sky. Like a lot of things I saw that night, it inspired awe and child-like wander in me and I knew things were going to be ok.

Believe it or not we actually stayed for the end of Arno Carstens’ set so we’d have a good spot for Shadowclub when they came on and Jacques and the boys did NOT disappoint.

I made a mental note to watch them live more and actually support this band. Their set was super-slick without losing its badass bluesy-rock edginess.

 

 

Which left only one main stage act left. The reason a lot of people were there in the first place. The band that inspired a million million bands to pick up guitars and write dancey indie rock.

Bloc Party. And man-o-man did their first three songs suck.

The sound was shocking which was sad because it had nothing to do with the band, but all their levels sounded way out with the vocals drowning everything out completely and the bass being almost non-existent.

Things quickly improved though and the crowd started losing their minds to this awesome band.

 

 

At some stage in Bloc Party’s set they let the balloons go. Actually, it could have been before, I’m not too sure, but watching them drift away, I felt a profound sense of loss, like the very stitching that held the festival together was coming undone.

And the truth is, it was.

I loved Bloc Party’s set but festival fatigue was kicking in and when they launched a barrage of fractal-patterned fireworks after it was all done, I felt totally satisfied in every conceivable way and ready to call it a day.

It was a great Daisies, no doubt. One that will live on in our minds as long as this post lives on, rattling in this junkyard site that I call home.

 

 

Here’s to Daisies ‘13!

See you crazy fuckers there Winking smile

-ST

03
Oct
12

Rocking The Daisies Must-See Bands (Part 3)

bloc-party-050629-799747Excitement for this year’s Rocking The Daisies 2012 is mounting party people! Three sleeps and I’ll be there, cracking open a cold one at Camp Tiger and letting the good times roll.

So in this, the last instalment of my must-see bands, I am going to be tackling the bands you can’t miss on the main stage on Saturday.

Sure, there are other stages and other bands I could be covering, but as mentioned before, I can’t research every band at the festival so if there are other acts you think deserve some love, hit me up in the comments section.

If you’re also in this for the long haul from Thursday to Sunday, then Saturday is either going to make or break the festival for you.

Thursday night you’re probably gonna go balls to the wall and the same goes for the entire day on Friday so by the time Saturday rolls around you’re going to feel like you need a blood transfusion to boost the level of blood in your alcoholstream.

 

 

The trick to getting Saturday right will be to take it as super easy as possible during the day. Go for a dip in the dam if you’re feeling brave, indulge in a hot Woshbox shower, get a hearty breakfast in you and down at least a litre or two of orange juice and as much water as you can handle.

Flush your system out, rest up as much as possible and don’t even think about hitting the sauce until at least 4 or 5 in the afternoon because it’s gonna be a looooooooooooooong night and you want to be as fresh as possible when the big acts of RTD12 take to the stage to melt faces.

Though the main stage kicks off at 10am, I’m probably only going to mosey on over there at 12.10pm to catch Southern Gypsey Queen (featuring Al Frost).

It’ll be a bit like holding a defibrillator to my chest, cranking it to 11 and hitting the “charge” button (watch the video below and you’ll see why), but I do love me some loud, bluesey rock and roll.

This is the band sans Mr Frost – throw him in there and you’ve got a guaranteed recipe for face-melting good times.

 

 

Dig that drummer. What a flippin boychay.

After that it’ll be time to grab a bite and head back to your campsite for some R&R in the shade. Or go have a float in the dam (inflatable lilos are a must. Or you could go the Tiger route and take an entire inflatable BOAT. Bada-BANG!).

At 2.20pm Moving House are lighting up the main stage, a supergroup of sorts consisting of Andre Pienaar (Ashtray Electric) and Rob Davidson (ex Zebra & Giraffe).

I haven’t been able to find any of their material, but if I can summon the strength, I’ll definitely go check them out just based on the merit of their two previous bands.

The next band to watch out for will be Jeremy Loops at 6.05pm, who is one seriously talented guitarist and songwriter.

As the name suggests, this guy’s loop pedal skills have to be seen to be believed. One man. One guitar. And here’s what he’s capable of:

 

 

Insane sheeit right?! People who use loop pedals like that fascinate me because if they fuck up one of the loops, the whole song falls apart. So yeah. No pressure.

After that it’s Desmond And The Tutus on the main stage, but I’m gonna leave that one totally up to you guys.

The new single (“Zim Zala Bim”) has been murdered on local radio to the point where when it came on 5FM the other day the guy in the lane next to me deliberately swerved into oncoming traffic.

But let’s not forget what these guys are capable of. Here’s “Tattoo” off their most recent album Mnusic in case you need some reminding:

 

 

After that, run away.

Arno Carstens is up next and he’s probably going to play material off his new album, Atari Gala which, if the first video “Two Dogs” is anything to go by, could very well send you spiralling into a post-90s, ballad-rock depression guaranteed to kill whatever buzz you might have been feeling up until that point.

My advice would be to go line your stomach and start drinking heavily. It’s time to up your game, once Arno clears out it’s going to be two and a half hours of bone-rattling badassery, starting with Shadowclub, the made-in-SA version of The Strokes.

 

 

Funny story is I interviewed these guys back in ‘08 before they skyrocketed to fame. I used to do this fucked up show on UJFM called The Tuesday Night Bandslam With Rick Hunter And Al Burton (I was Al Burton).

Myself and Graumpot would go around with a roving mic and arrange to interview bands in weird places like bowling alleys, the Zoo Lake, the planetarium and in the case of Shadowclub, the putt-putt course at Fourways.

Our sound equipment kept fucking out and Jacques from Shadowclub (frontman) had this look like he was smelling a fart throughout the interview.

Then we started playing putt-putt so we could record some funny, random shit like we did for all our shows but Jacques was so over it by that stage he just walked from one course to the next hitting his ball into the water, kicking it around and generally just making it known that he thought the whole thing was a load of shit.

 

 

We ended up throwing the interview in the bin. The bassist at the time (forget his name) felt bad and suggested we try again when Jacques was in a better mood.

Second time around, we just interviewed them at Fuel Bar one night before they got onstage to play a gig at Carfax. The interview went a lot better and Jacques seemed to be much more chilled until about 30mins in when he started laughing in this really creepy way and told us he’d taken a large quantity of acid before the interview that felt like it was kicking in.

Crazy cat that guy. In my experience a bit of a douche, but I can’t fault the band, especially not Isaac the drummer, he’s a real stand-up guy and one of the best drummers in the business.

 

 

After that, it’s time.

Get your head in the game, smash a tequila or three, go take a long pee, fight for a spot nice and close to the stage and steel yourself.

Bloc Party, this year’s headline act are up at 11.20pm and trust me, you are not gonna want to miss this one.

This band was instrumental in kick-starting the indie movement that’s been rolling out in its various guises over the last decade.

Here’s their best track, “Banquet” which I’ll be losing my goddamned mind to when they rock it live:

 

 

So those are my must-see bands on the main stage on Saturday, like I said before, holler if you think any other bands deserve a mention and I’ll gladly show them some love.

Otherwise I’ll try have a review up by Monday / Tuesday after the festival has ended, so watch this space because I have a feeling Daisies is going to be pretty damn epic this year.

You can still get tickets from www.webtickets.co.za so get on that if you haven’t already.

Oh, and if you see a guy with a Tiger on his head missioning around, don’t be a stranger Winking smile

-ST

27
Mar
12

Nomu Launches Half Arsed-a Chef, Slick Makes A Cameo

nomu_stir_largeSo a couple weeks back your pal Slicky-T was asked to take part in an epic spoof of Master Chef brought to you by the good folks at Nomu.

Naturally my agent handled everything, I just showed up at the Nomu studio where I was greeted by cross section of Cape Town’s A-list influencers and more wine than you could shake a tin of Nomu beef rub at (courtesy of Andre Pentz, what a badass).

Everyone from bloggers Big Daddy Savage and Dax to comedienne Angel to 2OceansViber Richard Hardiman was there. Even SA celeb Leslie Van Der Westhuizen showed up and covered the Nomu kitchen from one end to the other in a bizarre mix of chocolate powder, soy sauce, melk skommel and other ingredients which shall remain nameless.

The result was a series of sick videos we’re calling “Half Arsed-a Chef”, the first episode of which “The Boerie Tower” follows below.

Unfortunately they had to cut me out of this episode entirely except for the opening credits, something about my performance over shadowing the rest of the contestants, but just you wait. There are at least another three or four episodes of the show and obviously they’re saving the best for last.

 

 

In case you were wondering, my team (Bubbles and Caylee) were the ones responsible for “The Alsatian” – the tightest boerie tower ever coiled around cardboard.

Stay tuned folks, more of that good shit to come Winking smile

-ST

10
Oct
10

Rocking The Daisies – A Photo Journey

“Sarah?”

“Yes, hi…?”

“Hi, we’ve just arrived so um, where can I pick up my ticket?”

“Come meet us at the Nokia tent, we’ve managed to get you media accreditation, so you just need to head over to the tent and we’ll meet you there.”

“Ok, cool. But, um, how do I get in?”

“What…?”

“I mean, do they have my name at the gate or something?”

“No, your ticket was –“

“In the mail Olga sent me? Yeah, I printed it out but left it on my desk, total fuck-up.”

“Ohh… kaaayy…”

“Can we make some kind of plan?”

And BAM, there we were, 20 minutes later with Sarah slipping me a media band and me walking through the glass-Nazi security check-point and straight into Rocking The Daisies at around 12 midday on the sunniest Saturday you ever did see.

 

 

Thank you Nokia, seriously. You guys are the shit – bailing me out when I forgot to take my ticket with, fuck yeah. You guys made my festival possible.

As for the festival itself, fahk, where do I start? I was seriously impressed.

From the outset, I could see we were dealing with a different kind of festival, one where they take care of the details. It was everything from guys with wheelbarrows helping you lug your shit around, to the heavy emphasis on environmental friendliness and recycling and even something as simple as the exclusive loos (we never used any, but I’m sure they were a huge relief to people who didn’t want to face the possibility of opening a porta-loo door and finding… AN ANACONDA!).

We set up our tent in an area that soon became overrun with shirtless charnas, about 6 or 7  in total, who had the most hilarious collection of crusty old tents J-Rab and I had ever seen. They were actually pretty funny fuckers, but J-Rab and I didn’t really hang around much after we’d set up camp, it was like a sauna in our tent, the kind of day where the horizon shimmers and all you want to do is find a giant body of water and float in it with a bottle of cold beer.

We hopped from one island of shade to the next, people-watching and sipping on the waterbottle full of ice-cold vodka and lime we snuck into the main arena.

 

 

We caught a few New Holland tracks which I remember thinking sounded pretty cool, but we didn’t stay for long enough for me to give them a decent write-up. We were more focussed on beer at this stage, that and tracking down the Captain Morgan people who were filling up our now-empty “water-bottle” with free premixed Captain and coke.

I remember swimming in the dam.

 

 

I remember J-Rab and me heading back to our campsite, dragging our mattress out the tent and under the shade-cloth the charnas had set up, staring at a blue, blue sky. Giant love affair…

 

 

We drank a lot of beer just lying there and ended up napping in the sun before heading back to the mainstage later that evening to catch Boo! who played a killer set.

Chris Chameleon’s vocals were clear as a bell, and, dressed like the Wicked Witch of the West, he rocked out onstage with a mike headset while banging out the basslines to songs like “Lucky” and “Champion” and getting the crowd jumping and rocking out.

Ampie was his usual, clownish self, thanking everyone like a kid in a highschool who’s buddies have all showed up to the garage gig he’s hooked up because his parents are away.

Him and Chameleon still have the same, infectious chemistry they always did, but Ampie did seem to be struggling to hold some notes on the trumpet and looked a little flustered sometimes. They’re not the 20-something punks they were when they first started, but they did an impressive job of rocking out like they were.

 

 

As for the Nudies, it was an interesting set.

They played all the Nude Girls’ classics like “Blue Eyes”, “Giant Love Affair”, “What Would You Say?” and the ever-popular grunge / alternative rock anthem “Bubblegum On My Boots” and for the most part, they almost sounded like the ground-breaking, energetic and charismatic SA rock band they were back in the late nineties.

Theo rocked out like a metal stalwart. He looks meaner than I remember him, meatier, like a man who’s seen and done a lot because, well, he is.

Arno looks like an only slightly aged carbon copy of his younger self. He looks like he’s taken pretty good care of himself, must be the Top Billing-type lifestyle he’s been living for the last 8-odd years.

As for his vocals, they were hit and miss. The man’s got a great scream, he always has, and when he unleashes it the earth itself shakes and it’s still as spine-shivering now as it ever was.

But it sounded like he missed more than a couple of queues and at times was missing notes completely, but I think people forget, especially South African audiences, is when you pay to see a band play live, you pay to watch their mistakes as much as you pay to hear the moments when everything comes together, the band explodes with energy and the crowd absorbs that explosion, amplifies it and feeds it straight back.

 

 

MASSIVE FAIL for bringing Jeannie D onstage while the band sung “Jeanie” though, that was a gag-inducing moment if I ever saw one.

The dfnniest part was right at the end when they invited ‘Sailor Jim” to join them onstage.

“Sailor Jim” wore a sailing hat and some kind of brown coat (if I remember correctly…?) and was a podgey, happy-looking kind of chap.

“Who’s that?” I remember J-Rab asking.

“Why, I have no idea… but judging by the hat, I’d say this is Sailor Jim.”

It was only ten minutes later, when he took his hat off, that I realised it was Ard from Just Jinja.

If I could have done anything different, it would have been to stay for Taxi Violence after the Nudies, but in truth my skull felt like it was going to split open at that stage, and we had no painkillers.

We passed out listening to the drunken revelry of the campers around us and their hilarious stories about running into barbed wire fences and finding strangers passed out in their tents.

There’s a lesson here kids, if you’re rocking a music festival, take a LOCK.

The next day this apocalyptic wind was blowing the walls of our tent in and out like a sails. We poked our heads out to see hordes of people packing up their tents while the sky got blacker and blacker and the wind blew all their trash around.

 

 

We stayed to check out Checked Zebra who were really good. Imagine Chili Peppers meets Boo! meets a punk / ska band (maybe like Sublime) and you get Checked Zebra.

 

 

We would have rocked out to their whole set, but the wind was blowing so hard it felt like we were in a cyclone, so we eventually headed back to camp, packed up and headed home.

 

 

The best part of any festival is the first shower you have back at home and the afternoon nap that inevitably follows.

You drift off to sleep, thankful for the little things in life like clean linen and a comfortable bed, and don’t surface until you’ve nailed at least a solid 2 hours, warm and safe while the clouds gather and rain down on the roof above you and the wind whips tree branches and kicks up clouds of swirling dust devils outside.

Rocking The Daisies was an amazing festival. A special mention goes to the guys handling the AV for the main stage gigs on the Saturday night. The camera work and visuals were professionally executed and looked pretty fucking amazing.

 

 

Next year I’ll definitely try get their on the Friday though, it all went by too damn fast.

You gotta do the whole hog if you want to truly experience a festival, next time I’m taking the leave and doing shit right, going with a huge group of friends, packing a LOT of tequila and possibly even hanging out with the bands.

Sky’s the limit I tell ya 😉

-ST